![]() So both the channel and the plugin are going to be in write mode. And at the same time, we are on our main vocal channel. First, we need to click on write just under automation at the bottom. Now I want to print what Vocal Rider is doing and record that on my channel as an automation.Īnd there’s a very simple way to do this in Cubase with Vocal Rider. You can tell right away that the dynamics are way more balanced opposed to what we had before. So I’m going to activate the plugin and I’m going to play that again and tweak the target level. Okay, so now we see, especially near the end of that verse, we see that the vocal is getting louder and louder so the dynamics are a bit unbalanced, and we’re going to use Vocal Rider to balance that out. So I want you to listen to the vocal that we’re going to work on and then we are going to apply Vocal Rider. Now I have the Vocal Rider at the beginning of the chain, but now the plugin is bypassed. I’m going to keep that on slow.Īnd first, let’s jump on the mix and listen to that vocal. But if we want that fader to react instantly to the changes, we’re just going to click on fast. So if we want to have a sort of slow attack, we’re going to just click on slow to get a more natural sound. Then we have a slow and fast, which is going to act as an attack basically. This is going to be our target and is going to determine how the fader is going to move, it’s going to be sensitive to what’s coming into the plugin. ![]() Then we have the target, and this is very important. So by default it’s at zero and I usually leave it there. So I’m going to just focus on vocal, and this is going to add the sensibility of the vocal opposed to the noise floor of the recording. So this is grayed out because I’m not using it as a side chain. And the music one is mainly if you use this plugin as a side chain to the music mix, which I never do on my end. Then we have the sensibility, and we’re going to focus only with the vocal knob right here. This is where we’re going to determine how loud and how quiet I want the fader to go to. It’s going to ride up and down, so it’s going to increase the volume and decrease the volume of the signal that comes in to this plugin. So we have that main knob right here that is actually the main feature of the plugin. I’m just going to go and just show you quickly what that plugin is made of. Okay, so let’s jump and look at what we have here. Okay? So you can use it at the beginning or at the end or both.īut the way I like to use it is to balance the dynamic of a dynamic vocal before hitting any compressors. But it can also be used as the last plugin of your chain just to ride the vocal in the mix. So basically, this plugin is going to be inserted on the first slot of my insert to balance the dynamics out before adding compression and so on. I am going to tend to use this Vocal Rider before hitting the plugins. Now, this is a very cool plugin that I use if I have a vocal that is very dynamic that I have to work with. All right, so let’s jump right in Cubase and look at the Vocal Rider from Waves and how I use it in Cubase. Now, before we jump into this video, if you’re new here on the channel, subscribe to the channel, click notification bell, share and like the video if you think that the video was helpful. So, for me, the only way to use these two riders is to let them work live while the playback is playing.”Īll right, so I’m going to answer the question and show you how to use the Waves Vocal Rider with Cubase. When I use Waves Vocal Rider or Bass Rider, I’m not able to write the automation on the pre gain track. Today I’m answering another question that I just received concerning Cubase and the Waves Vocal Rider. CLICK HERE and save an additional 10% OFF any purchase at Waves!
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |